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first Polish edition of SoloDuo


Serdeczne podziękowania dla Instytutu Polskiego w Budapeszcie za wieloletnią współpracę, wsparcie i możliwość zaprezentowania "młodego polskiego tańca współczesnego" podczas Festiwalu w Budapeszcie.

organizator: Fundacja Rozwoju Tańca / mecenat: Miasto Stołeczne Warszawa Dzielnica Mokotów / partnerzy: Klub Dowództwa Garnizonu Warszawa, Orkesztika Foundation - Budapeszt, Instytut Węgierski - Warszawa, Instytut Polski - Budapeszt


PROTOKÓŁ Warszawa, dn. 24 czerwca 2006 r.

SoloDuo Dance Festival Budapeszt 2007

dnia 24 czerwca 2006 r. na Scenie Prezentacji DWP wystąpili:

Joanna Jaworska, Urszula Borowiak, On the hooks (Na haczykach), Rzeszów
Natalia Pieczuro, Looking for, finding, loosing and again (Szukam. Znajduję. Tracę. I znów... ), Warszawa
Paulina Święcańska, Monika Pundyk, Pam flet, Zielona Góra
Agnieszka Brzozowska, Borders, Warszawa
Katarzyna Torzyńska, Nibjo, Wrocław
Magdalena Radłowska, waiting for... (W oczekiwaniu na...), Zielona Góra
Paulina Święcańska, Tomasz Maria Poliszuk, Androgynes, Zielona Góra
Marta Zawadzka, Introrsum, Toruń
Monika Pundyk, Stone, Zielona Góra
Dorota Binkiewicz, Happy edn, Warszawa
Katarzyna Torzyńska, Maja Lewicka, In spite of close (Mimo blisko), Wrocław
Paulina Święcańska, Mystery, Zielona Góra
Paulina Jóźwicka, Agnieszka Muczyń, Umwelt, Kalisz
Izabela Chlewińska, Articulanda, Kalisz
Kamila Staszewska, Kata Tjuta, Warszawa

Po obejrzeniu 15 przedstawień dnia 24 czerwca 2006 r. w Warszawie na Scenie Prezentacji DWP jury w składzie: Márk Fenyves, István Pálosi, Anna Piotrowska, zakwalifikowało do kolejnego etapu Międzynarodowego Festiwalu "Solo & Duo Dance Festival" Budapeszt 2007 następujące osoby:

Paulina Jóźwicka, Agnieszka Muczyń, Monika Pundyk, Magdalena Radłowska, Paulina Święcańska, Tomasz Maria Poliszuk


Magdalena Radłowska

waiting for...

Zielona Góra


Paulina Święcańska



Zielona Góra


Paulina Święcańska

Monika Pundyk


Pam flet

Zielona Góra


Paulina Święcańska

Tomasz Maria Poliszuk



Zielona Góra


Paulina Jóźwicka

Agnieszka Muczyń




zgodnie z orygniałem protokół podpisali: Márk Fenyves, István Pálosi, Anna Piotrowska, sekretarz i tłumacz: Andrea Tariska




8th Solo Dance and 6th Duo Dance International Festival, Budapeszt 2007
organizowany przez Orkesztika Alapítvány (Orkesztika Foundation)

11 - 15 stycznia 2007 r.- BUDAPESZT, Mu Theatre

Polscy artyści wystąpili tak licznie po raz pierwszy podczas Międzynarodowego Festiwalu "Solo & Duo Dance Festival w Budapeszcie. Wystąpili:

Magdalena Radłowska, W oczekiwaniu na., waiting for... , Zielona Góra

Paulina Święcańska, Mystery, Zielona Góra / zdjęcia

Paulina Święcańska, Monika Pundyk, Pam flet, Zielona Góra / zdjęcia

Paulina Święcańska, Tomasz Maria Poleszuk, Androgynes, Zielona Góra / zdjęcia

Paulina Jóźwicka, Agnieszka Muczyń, Umwelt, Kalisz / zdjęcia

Katarzyna Sitarz, When the last candle is blown out, Szczecin/Rotterdam / zdjęcia NAGRODA PUBLICZNOŚCI




prices of the jury 8th Solo Dance and 6th Duo Dance International Festival, Budapeszt 2007

The Best Solo Dance production: Blind Emotion / choreographed and performed by Bruno Isakovic (CRO) / The artist had a great sensitivy of inside and outside space. During his journey he showed a presence and awarness of every movement in a timeless and spaceless reality.

The Best Duo Dance production: In loving / choreographed by Saga Siguroardottir (IS), performed by: Eva maria Kupfer, Saga Siguraardottir (NL) / The coherency between all the elements of the choreography was very strong, in the honesty and truthfulness of the movements. Through the simplicity and purity of the movements the meaning was touchable and tangible.

other solo productions awarded to be performed on 9th of May 2007 in National Opera Theatre in Budapest: Trambulin / choreographed and performed by: Szilagyi Erzsebet (H) / Her passionate strength for the articualtion of movement helped her energy to be shared with the audience. The conscientious dramaturgy of the piece and the timing gave us the possibility to be part of the impulse and breath of the work.

Meantime / choreographed by Noa Shadur (IL), performed by Damaris Verduijn (NL) / In every movement her thougts were visible. The dancer's light quality and strong technical background gave a special meaning to the performance. The choreography itself was clear in space structure and had a special way of developing a new movement voucabulary.

other duos productions: Picture-Imagine-Trove / choreographed and performed by Buday malinda (H), Fulop Agnes (H) / The performing and technical skill of the performance were of a high level. The starting images of the work showed the potential of an individual creative process, demonstrating their choreographic qualities of expressions that wer rich in emotions. We are convinced that with further exploring they will improve their expressive movement qualities, which will lead to the development of their own creative voice.

Circle - triangle / choreographed by Deri Andras (H), performed by Deri Andras, Bazsinka Mihaly (H), music by Bazsinka Mihaly - saksofon / The duet had power and strength. An extreme intelligence of structuring was visible in the dramaturgy. The recognition of playing inside the cognitive structure was clearly made apparent.

the prices of the audience: When the last candle is blown out / choeographed and performed by Katarzyna Sitarz (PL), Hair / choreographed by Ivan Estegneev (RUS), performed by: Ivan Estegneev, Evgeny Kulagin (RUS)

jury 2007:

Anna Piotrowska (PL) - choreographer, director, dance teacher, dance-performer, Founder and President of Dance Development Foundation in Warsaw . The master degree in management. Student of Theatrical Directing School. Scholarship-holder of British Council "British Council Awards 2004 - Young Polish Arts Entrepreneur", organizer and art director of Polish Dance Festival PolemiQi in Warsaw, twice in the group of Laureats at the International Solo & Duo D ance Festival in Budapest (2005/2006). Founder and director of "mufmi dance theatre" in Warsaw (1995 - 26 choreographies). Leader of local & international projects: Polish edition of International Dance Festival: "Solo & Duo Dance Festival / Budapest 2007", jam sessions "bosa.stopa_jam party", perform ances in the Church, "space attack", "British 4 Polish D ance.direction.London_Warsaw", "direction.Budapest_Warsaw.d ance" (exch anging programme with Hungari an artists), "direction.(0-22).Warsaw", "eferte_laboratory of choreography - choreographic workshops", summer workshops - close to nature, film workshops and Warsaw Film Spring - film festival for students of film academies "eferte_film". Producer of perform ances (Theatregroup TRAVA). Jury member in the Polish TV programme searching for talented young people "Dolina Kreatywna" in the fields of d ance & management.

Eva Blažíčková (CZ) - choreographic works: Founder of the Chamber Dance Studio 1975 - 1992 chief choreographer of this studio ( choreographies inspired by the music of Czech contemporary composers M. Kabeláč, M. Kopelent, P. Eben, Z. Lukáš, O. Mácha, J. Hanuš, J. Burghauser, I. Krejčí etc.) Choreographic cooperation with the theatres : 1989 Olomouc, 1988 Disk, 1982-1988 Theatre of Music, 1983 National Theatre, 1982 Vinohrady Theatre Choreographic cooperation with film and television: 1989 Ballet Miniatures, 1989 Aesthetic Education, 1988 Television Studio for Youth, 1988 People and History, 1984 Come Over Us, Song, 1981 Studio for the Youngest, 1979 From the Workshop of the Musicians, 1977 Pictured Songs, 1975- 1978 Come and Play with us!, 1975 L . Janáček Rhymes, 1972 We Train-You and Me, 1971 Dance Miniature Pedagogical works: 1992- founder and director of the Duncan Centre Conservatory 1989-1989 - leader of the workshops of the Duncan technique and improvisation in Munich / Germany 1978-1989 dance teacher at the Elementary Schools for the Art artificial and pedagogical works and cooperation in abroad: 2002, 2001, 1987 Great Britain, 2003, 1990 Finland, 2002 Hungary, 1992,1990 France, 1992,1987, 1986, 1984, 1983 Germany, 1988, 1987 Italy, 1989 China, 1989 USA Awards: Chevalier of the Academic Palm, prize given by the French Prime Minister (2003); I. Prize in the national competition for Elementary Schools for the Art (1988, 1985); Prize of the magazine Dance Gazette ( Chamber Dance Studio) (1987); I. Prize in the National Platform for Modern Dance (Chambre Studio for modern dance) (1983, 1981, 1979-); I. Prize for the best solo performance in the National Platform for Modern Dance (1985) . Education Music Academy for Performing Arts, special program of the dance pedagogy (1969); Jarmila Jeřábková's Dance School ( J.J. was an outstanding representative of Czech contemporary dance) (1952-1975); School for Health Care, study of rehabilitation (1962)

Fenyves Márk(H) - (1973) Movement artist, choreographer, visual artist. He completed the Esthetical Physical Education - Kinethologist course of Hungarian Movement Culture Society in 1997. He got his degree at University of Applied Arts , Hungary in 1998. Since 2001 he has studied Modern Dance Pedagogy at Hungarian Dance Academy . He is a founder and artistic leader of Duncan - Dienes School (1997) and Hungarian Art of Movement Company (1995). He is the president of the curatorium at the Orchestics Foundation. He has been the president of the Hungarian Dance Sciences Association since 2004. He studied at Mária Tatai, Éva Gálik, Sára P. Berczik, Éva E. Kovács, Ágnes Szöllősi, Judit Kármán, Dr. Gedeon Dienes, Viktor Fülöp and Dóra Kolozsvári, etc… He has regularly appeared on stage and prepared choreographies since 1992. He founded a company called Cro-Art Occasional at 1993. He was a member of 'Orkesztika' Group and later of 'Orkesztika' Movement Theatre between 1993-95. He appeared in Decadance company's performance, Pop-Corn (1996-97). He has taught 'art of movement' on the basis of Duncan-Dienes (orkesztika) system since 1993. He and Gedeon Dienes have made researches in the inheritance of Valery Dienes since 1996. He has been an exhibitor since 1987.

Gaal Mariann (H) - Mariann Gaal began her professional dance studies at the Dance Department of the Secondary School of Arts in Pecs , Hungary . She has broadened her knowledge in modern dance and flamenco at Beers Dance Academy and T-junction in Wienna , Austria . In 2002 she graduated as a teacher of modern dance improvisation and composition at the Rotterdam Dance Academy in Holland . Next to dance education she studied art-philosophy, literature, and art-therapy on the Faculty of Arts of Pazmany Peter Catholic University. Mariann followed Dance Therapy Education under the leadership of Wilfriedf Gurntler at CITA-Munich , Germany , and worked as a dance critic for art magazines in Hungary . Since 2002 she has been a teacher of Hungarian Dance Academy in Budapest , and of the Dance Department of the Secondary School of Arts in Pecs , Hungary . She worked as a choreographer creating opera co-productions and dance films in the Nederland 's. In Hungary she has made her own productions. Since 2004 she has been a curator at the Dance College at the National Cultural Found. Since two years she is focusing on interdisciplinary way of working, nationally and internationally as well.



cele i regulamin SOLODUO

cel festiwalu: poszukiwanie krótkich, nowych i ciekawych form tanecznych.

Festiwal pozwala tancerzom niezależnym, jak również zrzeszonym w teatrach tańca na rozwój indywidualnych koncepcji artystycznych. Rozmowy z profesjonalnym jury pozwalają pogłębiać doświadczenia, kreować i rozwijać swój wewnętrzny świat.

W drugim etapie Festiwalu, który ma miejsce w Mu Theatre w Budapeszcie bierze udział 20 produkcji solowych i 20 duetów, które są oceniane przez międzynarodowe jury i kwalifikowane do III ostatniego etapu, który ma miejsce w znanym światu tańca współczesnego Centrum Sztuki Współczesnej TRAFO (finał odbywa się zazwyczaj w maju). Samo wystąpienie w tym miejscu jest ogromnym wyróżnieniem.


Nie dopuszcza się prac improwizowanych i przedstawianych już wcześniej na festiwalu Solo & Duo.

Uczestnicy muszą być powyżej 18 roku życia.

Długość solowych prac nie może być dłuższa niż 6 minut, a duety mają do 9 minut. Przekroczenie limitu dyskwalifikuje daną prezentację.

Rekwizyty i instrumenty mogą być używane w przedstawieniu, ale tylko gdy ich instalacja nie zajmuje więcej niż 30 s. Rekwizyty typu: świece, woda, farby, które mogą uszkodzić i poplamić podłogę baletową są zabronione.

kryteria jury:

jakość i fantazja

świadomość przestrzeni i widza

struktura przedstawienia:

umiejętności: choreografia, jakość ruchu i doboru muzyki
muzykalność a ruch

dramaturgia: znaczenie, historia

wizualizacja: kostium, charakteryzacja, rekwizyt, wykorzystanie światła, spójność z treścią, scenografia

duety - współpraca pomiędzy artystami na scenie